"My creative energy is often spiritual in nature. Each of my sculptures invariably represent some aspect of praise and appreciation for life's beauty. Since my Pueblo religion restricts the realistic unveiling of ceremonial life, the challenge is to use abstract art to represent the sacred; images that specifically capture a reflection of my spirituality and expressions of my intercession with the Creator."
-Joe Cajero |
Joe Cajero, Jr. was born in 1970 in Santa Fe, New Mexico and raised in the Pueblo of Jemez. He is a descendant of a long line of Pueblo artists, including his father, a painter, and his mother, Esther, is a potter. Cajero often accompanied her to Indian art shows throughout the Southwest. On the road as well as in her small shop in Old Town, Albuquerque, the young Cajero learned from his mother the business of marketing ones art and was challenged to try a creative form he never guessed he'd be known for today, clay sculpture. While growing up, Cajero also had the privilege of spending many hours with his maternal great-grandmother Petra Romero, listening to the wonderful stories she would tell of times gone by. Her stories provided him with a solid foundation in his traditional culture and continue to inform the work he does today.
Cajero knew early on he would be an artist and assumed he would follow in the lines of his father and become a painter. At fifteen years of age, while sitting in his mother's shop one day, bored, she convinced him to take a piece of clay and try to create something out of it. That something turned out to be a small bear figure. That first figure sold the same day before it had even dried. This was a good sign for a young artist. His mother encouraged him to continue work in clay. Cajero made several more bear figures and sold them. Eventually those bears began to stand upright and take on human characteristics. Hands emerged from claws and faces began to form. Cajero knew then, he had graduated to the next level.
This next level took him to the Institute of American Indian Arts in Santa Fe after high school, where he studied two-dimensional art, with a few classes in traditional pottery making. His mentor and cousin, Felix Vigil, was teaching there at the time and provided the young artist with priceless insight, "He taught me how to look and where to look inside myself, so that I didn't have to draw from other artists in order to find inspiration. I admire the work of other artists, but I look only to myself to create." Although Cajero continues to make the smiling koshare figures he is internationally known for, he is not one for complacency. He constantly strives to satisfy his need for fresh ideas and subject matter by challenging himself to try new techniques and imagery.
In recent years, Cajero has begun making limited edition bronze figures. He enjoys working with commercial clay as opposed to traditional Jemez clays, as well as the process of selecting the patinas and colors that are used in the finish. Bronze work has led to the opening of new creative doors for the artist. "It seems I've been developing my skills in clay to lead me to work in bronze, and working with bronze has enhanced my skills with natural clay." He is also beginning to paint again, an art form that has always been close to his heart. He is excited about the creative possibilities and is looking forward to seeing how it will effect his three dimensional work. The thirty-one year old Cajero, resides in the small community of Placitas, New Mexico. In his free time, he enjoys golfing, fishing, bow hunting, camping and his daily workouts.
By Christina M. Castro
|
-
1986
|
Santa Fe Indian Market, 2nd Place, Painting
Colorado Indian Market, 1st Place, Painting |
-
1987
|
Santa Fe Indian Market, 2nd Place, Pen and Ink Drawing
Eight Northern Pueblos Art Show, 3rd Place, Drawing
Eight Northern Pueblos Art Show, 3rd Place, Watercolor |
-
1988
|
Heard Museum Art Show, Special Achievement Award, Painting |
-
1989
|
Santa Fe Indian Market, Honorable Mention, Clay Sculpture |
-
|
Indian Nations Rendezvous and Trade Fair, 1st Place, Clay Sculpture
Santa Fe Indian Market, 1st Place, Clay Sculpture |
-
1991
|
Indian Nations Rendezvous and Trade Fair, 1st Place, Clay Sculpture
Santa Fe Indian Market, 1st Place, Clay Sculpture |
-
|
Santa Fe Indian Market, 2nd Place, Clay Sculpture |
-
1993
|
Santa Fe Indian Market, Katherine and Miguel Otero Award for Creative
Excellence (in any category), Clay Sculpture
Santa Fe Indian Market, 2nd Place, Clay Sculpture, Storyteller Category
Santa Fe Indian Market, 2nd Place, Clay Sculpture, Koshari Category |
-
1994
|
Santa Fe Indian Market, 1st Place, Clay Sculpture, Multiple Piece Category
Santa Fe Indian Market, 2nd Place, Clay Sculpture, Single Piece Category
Santa Fe Indian Market, 1st Place, Clay Sculpture, Nativity Scene Category |
-
1995
|
Santa Fe Indian Market, 2nd Place, Clay Sculpture |
-
1996
|
Santa Fe Indian Market, 1st Place, Clay Sculpture, Koshari Category
Santa Fe Indian Market, 3rd Place, Clay Sculpture, Single Piece Category
Southwest Indian Art Fair, Southwest Indian Art Award of Merit, Clay Sculpture |
-
1997
|
Santa Fe Indian Market, 2nd Place, Clay Sculpture |
-
1998
|
Santa Fe Indian Market, 1st Place, Clay Sculpture |
-
1999
|
Santa Fe Indian Market, 1st Place, Clay Sculpture
Eiteljorg Museum Indian Market, 2nd Place, Clay Sculpture |
-
2000
|
Santa Fe Indian Market, 1st Place, Clay Sculpture
Santa Fe Indian Market, 2nd Place, Bronze Sculpture |
-
2001
|
Santa Fe Indian Market, 1st Place, Clay Sculpture |
-
2002
|
Santa Fe Indian Market, 2nd Place, Bronze Sculpture under 30"
The Philadelphia Craft Show, Best of Native American Exhibit
New Mexico Indian Arts and Crafts Assoc., 1st Place in Sculpture |
-
2003
|
Eiteljorg Museum Indian Market, Best in Division, Bronze Sculpture
Eiteljorg Museum Indian Market, 1st Place, Bronze Sculpture
Eiteljorg Museum Indian Market, 3rd Place, Bronze Sculpture |
-
2004
|
Eiteljorg Museum Indian Market, Best in Division, Bronze Sculpture Eiteljorg Museum Indian Market, 1st Place, Bronze Sculpture Eiteljorg Museum Indian Market, 3rd Place, Bronze Sculpture |
-
2005
|
Santa Fe Indian Market, 2nd Place, Bronze Sculpture under 36" |
-
2006
|
Sharlot Hall Musuem Show Prescott, AZ, Judges Choice, Bronze Sculpture Santa Fe Indian Market,Best in Division, Clay Sculpture Santa Fe Indian Market, 1st Place, Clay Sculpture Santa Fe Indian Market, 3rd Place, Bronze Sculpture
|
-
2008
|
Santa Fe Indian Market, Best in Division, Clay Sculpture
Santa Fe Indian Market, 1st Place, Clay Sculpture
Santa Fe Indian Market, 2nd Place, Bronze Sculpture
Albuquerque Arts Business Association, Albuquerque Local Treasures Artist Award |
| |
Fauntleroy, Gussie: Joe Cajero Jr – Celebrating Pueblo Traditions and Humor in Clay and Bronze, Southwest Art, Jan. 2001 |
| |
Green, George M.: Joe Cajero Leaps Into His Soul, ABQ Arts, Vol. 8. No. 4, May 2004 |
| |
Ohnuma, Keiko: Cajero Draws Line Between Freedom and Tradition, The Sandoval Sign Post, Vol. 20, No. 8, Aug. 2008 |
| |
-
May '04 – March '05
|
Museum of Indian Arts and Culture – Santa Fe, New Mexico
Exhibition Title “Contrast in Bronze” in the Arnold and Doris Sculpture Garden. Monumental Exhibit of Emodiment of Prayer and Nurtured by Prayer along with the work of Michael Naranjo. |
| |
-
Sept. '08 - Jan. '09
|
Indian Pueblo Cultural Center – Albuquerque, New Mexico
Exhibition Title: Walatowa Sculptors: Shaping Our Stories |
| 2007 |
Jicarilla Apache Tribe, Monumental Sculptures of Go-jii-ya Foot Race |
| 2008 |
Southern Ute Tribe, Monumental Sculptures of Two Horses for the Sky Ute Casino |
|